I have been thinking for a while that obviously that this vax is harmful and likely very dangerous but I want to hear some deep speculation on it. So many people are guarded when they talk about it because they are often medical or another type of professional and don’t want to speculate too much. Though I understand that people don’t want to go out too far on a limb, I think it is about time that we start speculating on what the ramifications of these vaccinations are going to be.
Here is what we know.
- Everything points to the fact the whole pandemic was planned years in advance.
- There seem many purposes to this plan but the vaccine seems to be the end goal, everything was about injecting a new gene therapy “vaccine” into every human being on the planet.
- We know almost nothing about this vaccine. No animal trials were done and already the death count is higher than all other vaccines of the last 30 years combined.
- We also know that every alternative treatment has been covered up.
So what is all this about? If there really was a new dangerous pandemic sweeping the world why use a total novel technology of the mRNA vaccine? Why not use a traditional vaccine? Wouldn’t a traditional vaccine be the most safe and prudent route? Why no long term studies on animals? Why is phycological warfare being used on the public? How is the CDC and the WHO been wrong on almost every point and contradict there own standards of pandemic response? Why not have a rigorous tracking system to find out what is happening with vaccine injuries for a vaccine that is brand new and developed in less than a year as opposed to the usual ten years?
Intelligent people already know something is up, so now is the time for some healthy speculation in this writer’s humble opinion. Luckily, Mike Adams from Natural News and Omaha native Dr. Lee Merritt discuss some of the more wild possibilities with the vaccine along with many interesting details that they have been hearing.
People have often been reported to be in a trance like state after taking the vaccine.
Why did the virus not spread throughout the world in the same way it did in New York, Lombardy, and Wuhan? After these initial hot zones the virus seemed to get much more mild. Was there some kind of genetic poison attack on these cities?
Are there nano technology in these vaccines? Could they affect brain function and alter mood? Could they be used for mind control?
The behavior of mice has been changed in the past through magnetic effects.
A wide range of reports show that people are being magnetized.
The spike protein has been found in the ovaries at a much higher concentration than other parts of the body. Dr Lee Merritt says that they have the technology to target certain organs.
Doctors and nurses were vaccinated first, even over the elderly, did this somehow effect the critical thinking ability of the doctors?
Most strangely of all, there have been reports of people’s pets attacking them after they have received the vaccine. Also babies have refused to nurse from their mothers after their mothers have been vaccinated (reported in Israel). Are these vaccines changing human beings in some way we don’t understand?
If people’s DNA is being changed are they still human? What is human?
Mike Adams and Dr Lee Merritt tackle all these questions and more. Interesting times for humanity lie ahead.
Tree-covered mountains rise behind a pile of trash, children run through the orange haze of a dust storm, and a billboard standing on parched earth indicates where the seashore used to be before desertification took hold. These striking images, exhibited as part of the Right Here, Right Now Global Climate Summit, show the devastating effects of climate change.
kraken тор
The summit, held at the University of Oxford in the UK and supported by UN Human Rights (OHCHR), aims to reframe climate change as a human rights crisis and spotlight climate solutions. It works with everyone from policymakers to artists to get the message across.
“Photographers document the human rights impacts of climate change, helping to inform the public and hold governments and businesses accountable,” said Volker Turk, UN High Commissioner for the OHCHR, via email. “The Right Here, Right Now Global Climate Summit shows the power of collective action — uniting storytellers, scientists, indigenous leaders, and others to advance climate solutions rooted in human rights.”
Coinciding with World Environment Day on June 5, the exhibition — titled “Photography 4 Humanity: A Lens on Climate Justice” — features the work of 31 photographers from across the globe, all documenting the effects of global warming and environmental pollution on their own communities.
Climate change disproportionately affects vulnerable populations around the world. Despite emitting far fewer greenhouse gases, low-income nations are suffering the most from extreme weather events and have fewer resources to adapt or recover.
Photographs at the exhibition show the effects of desertification, flooding and plastic pollution. A black and white image shows the ruins of a house in West Bengal, India, sloping towards the Ganges River, with the owner sitting alongside. Riverbank erosion is degrading the environment and displacing communities in the area. Photographer Masood Sarwer said in a press release that the photo depicts the “slow violence” of climate change: “These are not sudden disasters, but slow-moving, relentless ones — shaping a new category of environmental refugees.”
Another photo, taken by Aung Chan Thar, shows children fishing for trash in Inle Lake, Myanmar. The lake was once a pristine natural wonder but now faces the growing threat of plastic pollution. “This image of children cleaning the water symbolizes the importance of education and collective action in preserving our environment for a sustainable future,” he said.
Organizers hope that the exhibition will help to humanize the climate crisis. “Our mission is to inspire new perspectives through photography,” said Pauline Benthede, global vice president of artistic direction and exhibitions at Fotografiska, the museum of photography, art and culture that is curating the exhibition at the summit. “It draws attention to the human rights issue at the heart of global warming, which affects both the world’s landscapes and the people that live within them.”
“Photography is the most influential and inclusive art form of our times and has the power to foster understanding and inspire action,” she added.
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You may have to travel between sites in an NHS vehicle or your own van.
Tree-covered mountains rise behind a pile of trash, children run through the orange haze of a dust storm, and a billboard standing on parched earth indicates where the seashore used to be before desertification took hold. These striking images, exhibited as part of the Right Here, Right Now Global Climate Summit, show the devastating effects of climate change.
kra34.cc
The summit, held at the University of Oxford in the UK and supported by UN Human Rights (OHCHR), aims to reframe climate change as a human rights crisis and spotlight climate solutions. It works with everyone from policymakers to artists to get the message across.
“Photographers document the human rights impacts of climate change, helping to inform the public and hold governments and businesses accountable,” said Volker Turk, UN High Commissioner for the OHCHR, via email. “The Right Here, Right Now Global Climate Summit shows the power of collective action — uniting storytellers, scientists, indigenous leaders, and others to advance climate solutions rooted in human rights.”
Coinciding with World Environment Day on June 5, the exhibition — titled “Photography 4 Humanity: A Lens on Climate Justice” — features the work of 31 photographers from across the globe, all documenting the effects of global warming and environmental pollution on their own communities.
Climate change disproportionately affects vulnerable populations around the world. Despite emitting far fewer greenhouse gases, low-income nations are suffering the most from extreme weather events and have fewer resources to adapt or recover.
Photographs at the exhibition show the effects of desertification, flooding and plastic pollution. A black and white image shows the ruins of a house in West Bengal, India, sloping towards the Ganges River, with the owner sitting alongside. Riverbank erosion is degrading the environment and displacing communities in the area. Photographer Masood Sarwer said in a press release that the photo depicts the “slow violence” of climate change: “These are not sudden disasters, but slow-moving, relentless ones — shaping a new category of environmental refugees.”
Another photo, taken by Aung Chan Thar, shows children fishing for trash in Inle Lake, Myanmar. The lake was once a pristine natural wonder but now faces the growing threat of plastic pollution. “This image of children cleaning the water symbolizes the importance of education and collective action in preserving our environment for a sustainable future,” he said.
Organizers hope that the exhibition will help to humanize the climate crisis. “Our mission is to inspire new perspectives through photography,” said Pauline Benthede, global vice president of artistic direction and exhibitions at Fotografiska, the museum of photography, art and culture that is curating the exhibition at the summit. “It draws attention to the human rights issue at the heart of global warming, which affects both the world’s landscapes and the people that live within them.”
“Photography is the most influential and inclusive art form of our times and has the power to foster understanding and inspire action,” she added.
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